Lost Horizon (1973 film)

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Lost Horizon
Lost Horizon (1973 film).jpg
Theatrical release poster by Howard Terpning
Directed byCharles Jarrott
Screenplay byLarry Kramer
Based onLost Horizon
by James Hilton
Produced byRoss Hunter
StarringPeter Finch
Liv Ullmann
Sally Kellerman
George Kennedy
Michael York
Olivia Hussey
Bobby Van
James Shigeta
Charles Boyer
John Gielgud
CinematographyRobert Surtees
Edited byMaury Winetrobe
Music byBurt Bacharach
Production
company
Ross Hunter Productions
Distributed byColumbia Pictures
Release date
  • March 17, 1973 (1973-03-17)
Running time
150 minutes
CountriesUnited Kingdom
United States
LanguageEnglish
Budget$5.9 million[1]
Box office$3.8 million[2]

Lost Horizon is a 1973 musical fantasy adventure film directed by Charles Jarrott and starring Peter Finch, Liv Ullmann, Sally Kellerman, George Kennedy, Michael York, Olivia Hussey, Bobby Van, James Shigeta, Charles Boyer and John Gielgud.[3] It was also the final film produced by Ross Hunter. The film is a remake of Frank Capra's 1937 film of the same name, with a screenplay by Larry Kramer. Both stories were adapted from James Hilton's 1933 novel Lost Horizon.

Lost Horizon was lambasted by critics at the time of its 1973 release, and its reputation has not improved since. It was selected for inclusion in the book The Fifty Worst Films of All Time, co-written by critic Michael Medved, and is listed in Golden Raspberry Award founder John Wilson's book The Official Razzie Movie Guide as one of The 100 Most Enjoyably Bad Movies Ever Made.[4] The film was also a box office bomb, losing an estimated $9 million.[5]

Plot[edit]

This musical version is much closer to the 1937 film than to the original James Hilton novel. It tells the story of a group of travelers whose DC3 is hijacked while fleeing a bloody revolution. The aeroplane crash lands in an unexplored area of the Himalayas, where the party is rescued and taken to the lamasery of Shangri-La. Miraculously, Shangri-La (based on some aspects of Bhutan's culture), sheltered by mountains on all sides, is a temperate paradise amid the land of snows. Perfect health is the norm, and inhabitants live to very old age while maintaining a youthful appearance.

The newcomers quickly adjust, especially group leader and United Nations Peace Negotiator, Richard Conway. He falls in love with Catherine, a schoolteacher whose parents perished while hiking with her in the mountains. Drug addict photographer Sally Hughes is initially suicidal, but begins counseling with lamas Chang and To Len, eventually finding inner peace. Industrialist Sam Cornelius discovers gold in the local river, but Sally convinces him to use his engineering skills to bring better irrigation to the farmers of Shangri-La instead of smuggling the gold. Harry Lovett is a third-rate comic and song and dance man who has a flair for working with the children of Shangri-La.

Everyone is content to stay except Conway's younger brother, George. Shangri-La, despite its utopian allure, has certain expectations of its citizens. Specifically following the mantra of moderation in all things, simplicity and communal existence, as explained by Chang. George has also fallen in love with Maria, a dancer, and wants to take her along when he leaves. Chang warns Richard that Maria came to Shangri-La over 80 years before, at the age of 20. If she were to leave the valley, she would revert to her actual age.

Richard is summoned to meet the High Lama, who informs him that the plane was hijacked on purpose and that he was brought there for a reason, to succeed him as the leader of the community. The High Lama has been following Richard's actions in the United Nations for years. However, on the night that the High Lama dies, George and Maria insist to Richard that everything the High Lama and Chang have said is a lie. They convince him to leave immediately.

Still in shock from the High Lama's death, Richard leaves without even saying goodbye to Catherine. Not long after their departure, the trio is struggling to keep up with the local guides. As a blizzard starts, an avalanche erupts and kills the party of guides and they are stranded in the storm. Maria suddenly ages and dies, and George, running wildly in grief over the death of his partner, falls to his death down an icy ravine. Richard struggles on alone, ending up in a hospital bed in the Himalayan foothills. The United Nations discovers he has survived and sends a party to take him back to the Western world. However, he runs away, back to the mountains, and finds the portal to Shangri-La once more.

Cast[edit]

Musical numbers[edit]

  • "Lost Horizon" (sung by Shawn Phillips over the opening and closing credits)
  • "Share the Joy" (Maria)
  • "The World Is a Circle" (Catherine, Harry and children)
  • "Living Together, Growing Together" (To Len and Company)
  • "I Might Frighten Her Away" (Richard and Catherine)
  • "The Things I Will Not Miss" (Sally and Maria)
  • "If I Could Go Back" (Richard)
  • "Where Knowledge Ends (Faith Begins)" (Catherine)
  • "Reflections" (Sally)
  • "Question Me an Answer" (Harry and children)
  • "I Come to You" (Richard)

Large parts of the score were deleted after the film's roadshow release. The dance sections of "Living Together, Growing Together" were cut, and "If I Could Go Back", "Where Knowledge Ends (Faith Begins)" and "I Come to You" were cut, but restored for the laserdisc release. All of the songs appear on the soundtrack LP and CD. According to the notes on the laserdisc, Kellerman and Kennedy had a reprise of "Living Together, Growing Together" that was also lost.

Hunter wanted to follow up with another musical, set in 1930s Hollywood, titled Hollywood Hollywood.[6] It was never made.

Soundtrack[edit]

In his 2013 autobiography, Bacharach cites Lost Horizon as very nearly ending his musical career.[7] He stated that the songs worked when taken in isolation, but not in the context of the film. The Bacharach-David partnership, which had been long and both critically and financially successful, was effectively terminated by their experiences working on the score. Bacharach felt that the producers were sanctioning weakened versions of his music, and he attempted to exert greater influence over what was being developed. However, this led to him being banned from the editing suite at Todd-AO.[8] Bacharach felt that he had been left to defend his position alone, and that Hal David had been inadequately supportive. This led to an exchange of lawsuits, destroying their professional relationship.[9] Bacharach's own versions of several of the songs appeared on his album Living Together (1974).

Of the lead actors, only Kellerman, Van and Shigeta perform their own singing. Kennedy was coached by Bacharach but was not used as a vocalist in the finished film. Hussey, Finch and Ullmann were dubbed by Andra Willis, Jerry Whitman and Diana Lee respectively. Some of the children who provided the singing voices of the Shangri-La children were Alison Freebairn-Smith, Pamelyn Ferdin (a popular child actress of the 1960s and 1970s, who was the original voice of Lucy Van Pelt in the Peanuts TV specials), Harry Blackstone III, David Joyce and Jennifer Hicklin.

The soundtrack was moderately more successful than the film, peaking at No. 56 on the Billboard 200. Commercially successful singles were issued of both the title song, performed by Shawn Phillips, and "Living Together, Growing Together" by The 5th Dimension, the latter being the band's last top 40 hit on the Billboard pop charts. The song "Things I Will Not Miss" was covered by Diana Ross and Marvin Gaye during recording sessions for the 1973 album Diana and Marvin. Tony Bennett recorded "Living Together, Growing Together" and "If I Could Go Back" for MGM/Verve. Richard Harris sang "If I Could Go Back" to the original musical arrangement made for the movie in the 1973 TV special Burt Bacharach in Shangri-La. Herb Alpert recorded an instrumental cover of "I Might Frighten Her Away" on his album "You Smile The Song Begins".[10][11]

Production[edit]

Ross Hunter made his name producing remakes at Universal, including Magnificent Obsession and Imitation of Life. Lost Horizon had been adapted on Broadway as Shangri-La in 1956.

In April 1971, after 20 years of association, Hunter departed Universal and set up operations at Columbia where his first film was to be Lost Horizon.[12] In 1971, Hunter said,

Burt Bacharach and I have been talking about doing a picture together for years. But Burt's been saying 'I've made so much money that when I do a movie I want it to last. Then maybe my movie will last.[13]

Hunter called the film "a picture of hope, of faith with a spiritual quality. We all need that with the pressures of the world... Everyone's looking for a place that has peace and security."[13]

Hunter had a role written for Helen Hayes.[14]

Julie Andrews was considered for the role of Catherine.

In December 1971, Charles Jarrott signed to direct,[15] with Peter Finch cast in February 1972.[16] Finch later stated that he enjoyed his time on the film.[17] March 1972 saw the hiring of Hermes Pan as choreographer.[18]

Larry Kramer publicly acknowledged that he is not particularly proud of his workmanlike job adapting the original film's script.[citation needed] However, the deal he engineered for his work on the film—hot on the heels of his Oscar nomination for the screenplay for Women in Love—combined with skilled investments, made it possible for him to live the rest of his creative life free of financial worries. In that sense, this film enabled Kramer to devote himself to the gay community activism and the writings (e.g., his AIDS play The Normal Heart) which came later.

Critical reception[edit]

Lost Horizon is considered one of the last of several box-office musical failures of the late 1960s and early 1970s as well as the last musical film to be given the roadshow release, which came in the wake of the success of The Sound of Music.[19] Attempts to update the idea of Shangri-La with its racial inequalities intact, coupled with old-fashioned songs, effectively sealed its fate, according to The New Yorker film critic Pauline Kael. She noted that Shangri-La was depicted as:

a middle-class geriatric utopia [where]...you can live indefinitely, lounging and puttering about for hundreds of years...the Orientals are kept in their places, and no blacks...are among the residents. There's probably no way to rethink this material without throwing it all away.[20]

Roger Ebert of the Chicago Sun-Times gave the film one star out of four and wrote that "it sinks altogether during a series of the most incompetent and clumsy dance numbers I've ever seen."[21] Gene Siskel of the Chicago Tribune awarded one star out of four and wrote that "Nothing works. Not the lyrics, not the sets, not the dancing, not the script, and—with all that going against them—not the actors."[22] Vincent Canby of The New York Times called the film "a big, stale marshamallow" that was "surprisingly tacky in appearance" despite its large budget.[23] Charles Champlin of the Los Angeles Times wrote that the film looked "tacky and uncomfortable" and described the songs as "mechanical and uninteresting."[24] Gary Arnold of The Washington Post wrote that the score "leaves almost no impression and certainly nothing resembling a joyful impression", adding "Even if the songs did make you dance with joy, you'd be dancing alone. With the exception of Bobby Van, a kind of poor man's Donald O'Connor, the cast has no aptitude for singing and dancing."[25]

After derided preview screenings[26] Columbia Pictures attempted to re-cut the film, but to no avail. Critic John Simon remarked that it "must have arrived in garbage rather than in film cans." Lost Horizon was such a box-office failure that the film gained the nickname "Lost Investment".[27] Bette Midler alluded to it as "Lost Her-Reason" and famously quipped "I never miss a Liv Ullmann musical".[28] Woody Allen quipped "If I could live my life over again I wouldn't change a thing...except for seeing the musical version of Lost Horizon".

The film was selected for inclusion in the book The Fifty Worst Films of All Time, co-written by critic Michael Medved. The film is listed in Golden Raspberry Award founder John Wilson's book The Official Razzie Movie Guide as one of The 100 Most Enjoyably Bad Movies Ever Made.[29]

Home media[edit]

On October 11, 2011, Columbia Classics, the manufacturing-on-demand unit of Sony Pictures Home Entertainment, released a fully restored version of the film on DVD, which reinstated all of the elements cut after the roadshow release. The DVD also contains supplemental features, including promos featuring producer Ross Hunter as well as the original song demos played and sung by composer Burt Bacharach. Some of these demos contain different Hal David lyrics from those in the final versions utilized in the film.

On December 11, 2012, Screen Archives Entertainment (Twilight Time) released an exclusive Blu-ray version of the film, with a 5.1 lossless soundtrack and an isolated film score.

See also[edit]

References[edit]

  1. ^ Haber, Joyce (11 March 1973). "Dream Maker for a Dream-Loving Audience". Los Angeles Times. p. 11.
  2. ^ "Big Rental Films of 1973". Variety. 9 January 1974. p. 19.
  3. ^ "Lost Horizon". Turner Classic Movies. Retrieved March 1, 2016.
  4. ^ Wilson, John (2005). The Official Razzie Movie Guide: Enjoying the Best of Hollywood's Worst. Grand Central Publishing. ISBN 0-446-69334-0.
  5. ^ "Greatest Box-Office Bombs, Disasters and Flops". Filmsite.org.
  6. ^ Gary Arnold (Aug 11, 1971). "New Hepburn Film: Film Notes". The Washington Post and Times-Herald. p. B8.
  7. ^ Bacharach, Burt (2012) Anyone Who Had A Heart, HarperCollins ISBN 978-0857898012, p. 154
  8. ^ Bacharach, Burt (2012) Anyone Who Had A Heart, HarperCollins ISBN 978-0857898012, p. 156
  9. ^ Dominic, Serene (2003) Burt Bacharach: Song by Song, Music Sales Group, pp.242-3
  10. ^ Dominic, Serene (2003). Burt Bacharach, Song by Song: The Ultimate Burt Bacharach Reference for Fans, Serious Record Collectors, and Music Critics. Music Sales Group. pp. 233–43. ISBN 0825672805.
  11. ^ "Bell-Ringing Push On 'Lost Horizon'". Billboard. February 17, 1973. p. 4 – via Google Books.
  12. ^ Gary Arnold (16 June 1971). "A Remake of Lost Horizon': Film Notes". The Washington Post and Times-Herald. p. B5.
  13. ^ a b "Himalayas Saga on Hunter's Horizon". Los Angeles Times. June 3, 1971. p. g15.
  14. ^ "Equal Time on Previn's 'Evil' Score". Los Angeles Times. Aug 26, 1971. p. h22.
  15. ^ Murphy, Mary (Dec 31, 1971). "Jarrott to Direct 'Horizon'". Los Angeles Times. p. a8.
  16. ^ Murphy, Mary (Feb 25, 1972). "MOVIE CALL SHEET: Brando in Paris for Last Tango' Filming". Los Angeles Times. p. h15.
  17. ^ "Interview with Peter Finch for Australian radio" (Interview). Retrieved 2013-12-03.
  18. ^ "Ross Hunter Signs Choreographer Pan". Los Angeles Times. Mar 4, 1972. p. b7.
  19. ^ Caporiccio, Joe Lost Horizon CD soundtrack liner notes.
  20. ^ Kael, Pauline Reeling (1977) Marion Boyars
  21. ^ Ebert, Roger (March 26, 1973). "Lost Horizon". RogerEbert.com. Retrieved December 12, 2018.
  22. ^ Siskel, Gene (March 26, 1973). "Lost Horizon". Chicago Tribune. Section 2, p. 16.
  23. ^ Canby, Vincent (March 15, 1973). "Ross Hunter's Version of 'Lost Horizon' Opens". The New York Times. p. 58.
  24. ^ Champlin, Charles (March 7, 1973). "Shangri-la Still a Paradise Lost". Los Angeles Times. Part IV, p. 1.
  25. ^ Arnold, Gary (March 31, 1973). "Search for an Elusive Shangri-La". The Washington Post. p. D1.
  26. ^ Medved, Harry and Michael The Golden Turkey Awards (1980) Berkley
  27. ^ "Lost Horizon (1973)". IMDb.com.
  28. ^ Musto, Michael (2008-03-27). "You Tube Treasure: Lost Scene From Lost Horizon!". Blogs.villagevoice.com. Archived from the original on 2013-12-06. Retrieved 2013-12-03.
  29. ^ Wilson, John (2005). The Official Razzie Movie Guide: Enjoying the Best of Hollywood's Worst. Grand Central Publishing. ISBN 0-446-69334-0.

External links[edit]